AMST2001BC Third World Studies

Manu Karuka, M/W 2:40-3:55PM

Between 1967 and 1969, groups of American Indian, Black, Chinese, Filipino, Japanese, Mexican, and Puerto Rican college students began to articulate demands for a transformed university, touching everything from admissions, relations to community, and curriculum. Their proposals contributed to the Third World Liberation Front strike at San Francisco State University, the longest student strike in US history. Drawing inspiration from Gary Okihiro, founding director of Columbia’s Center for the Study of Ethnicity and Race, this course takes student activists’ proposals for Third World Studies seriously. Our readings will draw on the traditions of anti-racist and anti-colonial struggle in North America, alongside perspectives from Africa, Asia, and Latin America.

ANTH4196GU Mexico’s Disappeared Practicum

Claudio Lomnitz, Monday 10:10-12

This practicum is an exercise in engaged pedagogy.  The academic work we do will be conducted for the benefit of the cause of Mexico’s now over 110,000 disappeared persons.  Students will be engaged in a sustained research effort to development a “context analysis” of disappearances in the state of Zacatecas (Mexico)– an exercise in social study that focuses on the economic, political, social, and criminological context in which disappearances occur.  Research is done in coordination with Mexico’s National Commission for the Search of the Disappeared.  Alongside the practical, real-world, objective, this Practicum is designed to perfect research skills in the social sciences. PREREQUISITE: Spanish language comprehension is compulsory for 60% of those enrolled.

CPLS4325GU Abolition Medicine: Medical Racisms and Anti-Racisms

Sayantani Dasgupta, Thursday 12:10-2

In 1935, WEB Dubois wrote about abolition democracy: an idea based not only on breaking down unjust systems, but on building up new, antiracist social structures. Scholar activists like Angela Davis, Ruth Gilmore and Mariame Kaba have long contended that the abolition of slavery was but one first step in ongoing abolitionist practices dismantling racialized systems of policing, surveillance and incarceration. The possibilities of prison and police abolition have recently come into the mainstream national consciousness during the 2020 resurgence of nationwide Black Lives Matters (BLM) protests. As we collectively imagine what nonpunitive and supportive community reinvestment in employment, education, childcare, mental health, and housing might look like, medicine must be a part of these conversations. Indeed, if racist violence is a public health emergency, and we are trying to bring forth a “public health approach to public safety” – what are medicine’s responsibilities to these social and institutional reinventions?

Medicine has a long and fraught history of racial violence. It was, after all, medicine and pseudoscientific inquiry that helped establish what we know as the racial categorizations of today: ways of separating human beings based on things like skin color and hair texture that were used (and often continue to be used) to justify the enslavement, exclusion, or genocide of one group of people by another. Additionally, the history of the professionalization of U.S. medicine, through the formation of medical schools and professional organizations as well as and the certification of trained physicians, is a history of exclusion, with a solidification of the identity of “physician” around upper middle class white masculinity. Indeed, the 1910 Flexner Report, whose aim was to make consistent training across the country’s medical schools, was explicit in its racism. From practices of eugenic sterilization, to histories of experimentation upon bodies of color, medicine is unfortunately built upon racist, sexist and able-ist practices.

This course is built on the premise that a socially just practice of medicine is a bioethical imperative. Such a practice cannot be achieved, however, without examining medicine’s histories of racism, as well as learning from and building upon histories of anti-racist health practice. The first half of the semester will be dedicated to learning about histories of medical racism: from eugenics and racist experimentation to public health xenophobic fear mongering. The second half of the semester will be dedicated to examining medical and grassroots anti-racist practices: from the free health clinics and hospital takeovers of the Black Panther and Young Lords Parties, to environmental activism in Flint and the Sioux Rock Reservation to antiracist AIDS and COVID activism.

CSER1010UN Introduction to Comparative Ethnic Studies

Shana Redmond, M/W 1:10-2:25

Introduction to the field of comparative ethnic studies.

CSER3490UN Post 9/11 Immigration Policies

Elizabeth OuYang, Tuesday 10:10-12

Since September 11, 2001, there has been an avalanche of immigration enforcement policies and initiatives proposed or implemented under the guise of national security. This course will analyze the domino effect of the Patriot Act, the Absconder Initiative, Special Registration, the Real I.D. Act, border security including the building of the 700-mile fence along the U.S./Mexico border, Secured Communities Act-that requires the cooperation of state and local authorities in immigration enforcement, the challenge to birthright citizenship, and now the congressional hearings on Islamic radicalization. Have these policies been effective in combating the war on terrorism and promoting national security? Who stands to benefit from these enforcement strategies? Do immigrant communities feel safer in the U.S.? How have states joined the federal bandwagon of immigration enforcement or created solutions to an inflexible, broken immigration system?

CSER3656UN Roots and Routes: Caribbean and Latinx Fictions

Angie Cruz, Tuesday 4:10-6

This interdisciplinary seminar explores contemporary literary fiction, visual art, and film from the Latinx and Caribbean diaspora, with a focus on how narrative and aesthetic elements such as characterization, structure, dialogue, setting, tone, and theme, shape meaning and invite new ways of seeing. Students will be encouraged to interrogate their own perspectives by examining the roots and routes of their imaginations, asking not only what they think, but why. The course will include weekly critical and creative assignments, offering students opportunities to respond with essays, sketches, micro-memoirs, and experimental reviews and stories. We will consider engaging fiction as both a political and artistic act—one that can emerge from love or violence, found objects or personal memories, autobiography or current events. Through close readings and viewings, we will challenge, and reimagine dominant narratives and the popular Latinx imaginary. Throughout the course, students will deepen their visual literacy, broaden their understanding of the historical and cultural contexts informing Latinx identities, and develop their own critical and creative voices through multimodal storytelling.

CSER3702UN Memory and Monuments in the U.S. West

Brian Luna Lucero, Monday 10:10-12

This class explores the relationships among memory, monuments, place, and political power in the United States West. The course begins with an introduction to the theory of collective memory and then delves into case studies in New Mexico, California, and Texas. We will expand our perspective at the end of the course to compare what we have learned with the recent debates over monuments to the Confederacy. We will consider both physical manifestations of collective memory such as monuments and architecture as well as intangible expressions like performance, oral history and folklore.

CSER3919UN Modes of Inquiry

Shana Redmond, Monday 4:10-6

Corequisites: CSER UN3921. This class, a combination of a seminar and a workshop, will prepare students to conduct, write up, and present original research. It has several aims and goals. First, the course introduces students to a variety of ways of thinking about knowledge as well as to specific ways of knowing and making arguments key to humanistic and social science fields. Second, this seminar asks students to think critically about the approaches they employ in pursuing their research. The course will culminate in a semester project, not a fully executed research project, but rather an 8-10 page proposal for research that will articulate a question, provide basic background on the context that this question is situated in, sketch preliminary directions and plot out a detailed methodological plan for answering this question. Students will be strongly encouraged to think of this proposal as related to their thesis or senior project. Over the course of the semester, students will also produce several short exercises to experiment with research techniques and genres of writing.

CSER3922UN Race & Representation in Asian American Cinema

Eric Gamalinda, Thursday 4:10-6

This seminar focuses on the critical analysis of Asian representation and participation in Hollywood by taking a look at how mainstream American cinema continues to essentialize the Asian and how Asian American filmmakers have responded to Hollywood Orientalist stereotypes. We will analyze various issues confronting the Asian American, including yellowface, white patriarchy, male and female stereotypes, the “model minority” myth, depictions of “Chinatowns,” panethnicity, the changing political interpretations of the term Asian American throughout American history, gender and sexuality, and cultural hegemonies and privileging within the Asian community.

CSER3926UN Latin Music and Identity

Ed Morales, Tuesday 2:10-4

Latin music has had a historically strained relationship with mainstream music tastes, exploding in occasional boom periods, and receding into invisibility in others. What if this were true because it is a space for hybrid construction of identity that directly reflects a mixture of traditions across racial lines in Latin America? This course will investigate Latin musics transgression of binary views of race in Anglo-American society, even as it directly affects the development of pop music in America. From New Orleans jazz to Texas corridos, salsa, rock, and reggaeton, Latin music acts as both as a soundtrack and a structural blueprint for the 21st centurys multicultural experiment. There will be a strong focus on studying Latin musics political economy, and investigating the story it tells about migration and globalization.

CSER3928UN Colonization/Decolonization

Karl Jacoby, Wednesday 10:10-12

Prerequisites: Open to CSER majors/concentrators only. Others may be allowed to register with the instructors permission. This course explores the centrality of colonialism in the making of the modern world, emphasizing cross-cultural and social contact, exchange, and relations of power; dynamics of conquest and resistance; and discourses of civilization, empire, freedom, nationalism, and human rights, from 1500 to 2000. Topics include pre-modern empires; European exploration, contact, and conquest in the new world; Atlantic-world slavery and emancipation; and European and Japanese colonialism in Asia, Africa, and the Middle East. The course ends with a section on decolonization and post-colonialism in the period after World War II. Intensive reading and discussion of primary documents.

CSER3935UN History of the US-Mexico Border

Claudio Lomnitz, Monday 2:10-4

Beginning in the 1980s, border crossing became an academic rage in the humanities and the social sciences. This was a consequence of globalization, an historical process that reconfigured the boundaries between economy, society, and culture; and it was also a primary theme of post-modernist aesthetics, which celebrated playful borrowing of multiple and diverse historical references. Within that frame, interest in the US-Mexican border shifted dramatically. Since that border is the longest and most intensively crossed boundary between a rich and a poor country, it became a paradigmatic point of reference. Places like Tijuana or El Paso, with their rather seedy reputation, had until then been of interest principally to local residents, but they now became exemplars of post-modern “hybridity,” and were meant to inspire the kind of transnational scholarship that is required in today’s world. Indeed, the border itself became a metaphor, a movable imaginary boundary that marks ethnic and racial distinction in American and Mexican cities. This course is an introduction to the historical formation of the US-Mexican border.

CSER4400GU Histories and Representations of the Bronx

Deborah Paredez and Frank Guridy, Thursday 10:10-12

The history of the Bronx is a history of the struggles, political coalitions, and creative contributions of the dispossessed. To tell the story of the Bronx is to tell the story of how historically marginalized communities have survived and made a home in environments forsaken by the state. And yet, in the popular imagination, the Bronx often circulates simply as a symbol of urban abjection, as the necessary foil against which prosperous urban spaces define themselves. Many of these “Bronx tales” invariably relegate the borough both materially and imaginatively to the past—infused with either white ethnic nostalgia of a lost Bronx innocence or with battle-scar bravado won on its mean streets. This interdisciplinary course invites students to interrogate these long-standing narratives about the Bronx through a critical study of the borough’s rich history and enduring cultural, political, and artistic traditions during the past century. This course explores a variety of movements and artifacts that have been central to the making of the Bronx such as: efforts to establish affordable housing, public art-making, the literary tradition of Bronx coming-of-age stories, grassroots organizing for immigrant rights, struggles against gentrification and environmental racism, and the inter-ethnic collaborations that led to the emergence of hip hop. Students will have the opportunity to embark on field trips and will undertake a wide array of methods including oral histories, performance analysis, archival research, ethnography, mapping, as well as opportunities to engage in creative art-making. By the end of the semester, students will gain a nuanced understanding of the central role that Bronx communities have played in the making of modern New York City.

ENGL3242BC Literature of Liberation Before 1900

Ken Chen, M/W 11:40-12:55

“We are all bound up together in one great bundle of humanity,” wrote the abolitionist writer Frances Ellen Watkins Harper a few years after the Civil War. This course explores the creative productions, critiques, and political projects of colonized people themselves, specifically focusing on writers in the indigenous, African American, and global anti-imperialist traditions. How did these heterogeneous communities differently diagnose the context of colonialism? What positive horizons of freedom, equality, and democracy did they aspire towards? What do their works tell us about gender, land, and labor? We explore themes of sovereignty against settler colonialism in the work of indigenous writers like Kandiaronk, William Apess, E. Pauline Johnson, Sarah Winnemucca, Zitkala Sa, and Liliuokalani, Queen of Hawaii. Next, we read the African American abolitionist tradition, beginning with Phillis Wheatley and slave narratives (Frederick Douglass, Mary Prince, Harriet Jacobs) followed by works by Harriet Wilson, Ida B. Wells, and Machado de Assis. The final third of the class will focus on works by those encountering imperialism in Egypt, South Asia, Latin America, the Philippines, and China: Al-Jabarti, Dinabandhu Mitra, José Martí, Jose Rizal, Huang Zunxian, and Qiu Jin.

HIST1488UN Indigenous History of North America

Michael Witgen, T/Th 1:10-2:25

This course is an introduction to the history of the Native peoples of North America.  Instruction will focus on the idea that indigenous people in North America possess a shared history in terms of being forced to respond to European colonization, and the emergence of the modern nation-state.  Native peoples, however, possess their own distinct histories and culture.  In this sense their histories are uniquely multi-faceted rather than the experience of a singular racial group.  Accordingly, this course will offer a wide-ranging survey of cultural encounters between the Native peoples of North America, European empires, colonies, and emergent modern nation-states taking into account the many different indigenous responses to colonization and settler colonialism.  This course will also move beyond the usual stories of Native-White relations that center either on narratives of conquest and assimilation, or stories of cultural persistence.  We will take on these issues, but we will also explore the significance of Native peoples to the historical development of modern North America.  This will necessarily entail an examination of race formation, and a study of the evolution of social structures and categories such as nation, tribe, citizenship, and sovereignty.

HIST2688UN The History of Latinos in the U.S.

Lori Flores, T/Th 2:40-3:55

What is the difference between terms like “Hispanic,” “Latin American,” “Chicano,” “Boricua,” “Latinx” and “Latiné”? Though Latinos are not a recently arrived group in the U.S., they are often misunderstood, stereotyped, and portrayed as a perpetually new, foreign, or threatening presence in the United States. This lecture course traces Latinos’ long social, political, and cultural history in the US from the 1600s to the present. Groups examined include Spaniards, Mexicans, Puerto Ricans, Cubans, Dominicans, Central Americans, South Americans, Caribeños, and indigenous peoples. Key topics include war and conquest; past and present migrations; race and citizenship; labor and political activism; gender and family; transnational and multiracial identities; and contemporary political debates around borders and migration. This course aims to show the uniqueness of the Latino experience while making them more central figures in American history.

HIST3030UN Immigration and Citizenship in American History

Jessica Lee, Thursday 12:10-2

This course explores the meaning of American citizenship in connection with the country’s immigration history. Topics include historic pathways to citizenship for migrants; barriers to citizenship including wealth, race, gender, beliefs and documentation; and critical issues such as colonialism, statelessness, dual nationality, and birthright citizenship. We will ask how have people become citizens and under what authority has that citizenship been granted? What are the historic barriers to citizenship and how have they shifted over time? What major questions remain unanswered by Congress and the Supreme Court regarding the rights of migrants to attain and retain American citizenship?

HIST3697UN Food, Race, and Migration

Lori Flores, Thursday 4:10-6

This course explores the intersectional histories of food, race, and migration in the U.S., with most of its focus on the period 1900 to the present. From food that migrated with colonists and enslaved laborers, to food created within ethnic communities trying to establish comfort and presence in the nation, to haute and fusion cuisines that cross racial, classed, and geographic borders—the things we see on our plates are the product of a myriad of movements of people, commodities, and ideas. How have factors such as race/ethnicity, migration, class, and gender impacted the foods available to us to eat, buy, and share? How have different waves of immigrants to North America shaped the nation’s culinary landscape, and conversely, how has the national culture shaped the diets of newcomers? How does food function to unite and separate people? How have food politics and activism developed over time in the U.S.? This class will explore all of these questions, and more.

HIST4518GU Columbia University & Slavery

Karl Jacoby, Tuesday 10:10-12

In this course, students will write original, independent papers of around 25 pages, based on research in both primary and secondary sources, on an aspect of the relationship between Columbia College and its colonial predecessor King’s College, with the institution of slavery.

SPAN3895UN Women, Creation, and Feminisms in Contemporary Spain

Miguel Angel Blanco Martinez, T/Th 2:40-3:55

At the crossroads of social media, social movements, and the arts, the present course offers a comprehensive genealogy of recent cultural interventions embodying the most pressing issues for feminisms in Spain today. For this endeavor, the syllabus is organized around three thematic axes: memory, bodies, and territories. By deploying an open consideration of arts, activism, and their creators, the case-studies here introduced unfold a polyphonic nature in both content and form. In this light, problematics such as ecology, technology, love, violence, healthcare, labor, or collective trauma will be navigated through the genres of performance, essay, poetry, graphic novel, photography, documentary, music, or the videoclip. These will shape the singularities of the later socio-political cycle in the country, distinguished by the internationalist expansion of feminisms; an interconnected and intersectional approach to social justice; the emergence of a globalized and domestic far-right; and the shifting of the institutional left. Such a background will nurture a series of feminist interventions claiming radical imaginaries in the favor of the 99%.